Sunday, May 3, 2026

Uncle Sam From Propaganda to Pop Culture

Have you ever noticed something again for the first time? Something that you are familiar with and have seen but maybe not really “seen”? Something that becomes more interesting the more you learn about its history? I have had that experience with James Montgomery Flagg’s “I Want You” poster. It was first created as a propaganda piece to help recruiting efforts for World War I but has been re-used by the military for subsequent wars and repurposed for use in both advertising and parody. You can read a little more about its history and the artist in my blog post here: I Want You Fun fact from a small survey that I took: 50% of respondents believe the poster was created to recruit for World War II and only 38% got the correct answer of World War I 



I was obviously not alive in 1917 and my first exposure to this poster was not in the context of being recruited for the military. I’m not even sure where the first place I saw it was. It was likely in some form of advertising or pop culture. Once I learned more about its history it began to feel a little strange to me that we as a culture are still to this day so receptive to a propaganda piece. Propaganda generally has a pejorative connotation yet here we are using it to sell things and make people laugh. Why is that? Here are a few responses from a survey question asking people if they have seen this poster re-created in any other form, perhaps parody or advertising. I have included some AI generated images based on the descriptions to give you an idea of what they may have looked like.

    

After doing a little research I feel that the re-use of this poster is many times to communicate a message in opposition to the creator of the propaganda (the government), or in a humorous manner. For example, while by no way an unpatriotic brand, Ben and Jerry’s is not commonly associated with military recruitment or supporting war. However, in 1994 they ran a humorous ad campaign and CEO search based on this poster. They used an image of founders Ben Cohen and Jerry Greenfield “posing as Uncle Sams in imitation of the old Army recruiting poster and pointing their forefingers straight at” the reader (Chicago Tribune). To this day both large and small companies can frequently be found incorporating Uncle Sam into their advertising, take for example this 2024 Instagram post from a car dealership in Texas.


A 2003 exhibit at the Chisholm Gallery in New York exhibited a collection of propaganda posters created by artists to protest wars. It included this 1971 Vietnam War era piece titled “I Want Out” that had been published anonymously by a group called the Committee to Unsell the War. https://collections.vam.ac.uk/item/O75555/i-want-out-poster-daniel-john-and/ 

However, there are also instances where it has been used in a manner that seems very on the nose and consistent with its original intent. Take for example Anduril - an AI based national defense firm. If you scroll to the bottom of this page https://www.anduril.com/ you will see an image of Uncle Sam right next to another slightly altered propaganda poster “The Grind That’ll Win”. For this company, using this type of propaganda art work fits their brand and communicates support for national defense. War propaganda posters could be in fact considered to be the “first true defense brand narratives, shaping how entire nations understood their role in the war effort and embedding lasting cultural symbols that outlived the conflict itself” (Viktor, https://bbdirector.com/brand-id-and-development/wwii-propaganda-defense-branding/). It makes a lot of sense why today’s national defense companies would want to reuse these images. 

It also still works for the US government, so much so that the 1917 poster was re-used through multiple wars. It was also modified to match the look and feel of the Rosie the Riveter poster during World War II. A majority of survey participants said that they feel the Rosie poster is actually the more famous of the two. The government also uses it as a parody for other real campaigns such as Smokey the Bear. It’s big business for the government too - for fiscal year 2017 $575 million was requested in funds to improve advertising for military recruitment (https://www.gao.gov/products/gao-16-396) - being able to use images that already evoke emotions certainly reduces costs of having to start campaigns from scratch. 






 

Reduced costs might also be a reason for the popularity of using government produced propaganda in commercial advertising. The image is in the public domain and much of the work has been done in terms of recognition and emotional manipulation. The vintage elements of the poster, such as the attention grabbing large bold text, simplicity, and signature style make this a prime piece to re-work into modern advertising while still being able to capitalize on the appeal of nostalgia. (https://www.invaluable.com/blog/elements-of-vintage-advertising/

In conclusion it seems that successful propaganda can have a lot of mileage across many platforms. This Uncle Sam poster has paid off for both the original creator, the US government, but also for artists, advertisers, and humorists. It has moved beyond propaganda and found a comfortable place within our mainstream culture.

                                                                                                                                                         

Bibliography

Anduril. “Transforming U.S. Defense Capabilities with Advanced Technology.” Accessed March 30, 2026. https://www.anduril.com/.


Christian Science Monitor. “Propaganda Artists Give Uncle Sam a Makeover.” n.d. Accessed March 29, 2026. https://www.csmonitor.com/2003/0404/p18s01-alar.html.

Daniel, John and Charles Houle, Larry Dunst, Larry Dunst, Murray Smith, Steve Horn, and Darien House Inc. I Want Out. 1971. Colour offset lithograph. Victoria & Albert Museum Prints, Drawings & Paintings Collection. https://collections.vam.ac.uk/item/O75555/i-want-out-poster-daniel-john-and/.

“‘Everybody’s Uncle Sam’ (May 15, 1995) - Library of Congress Information Bulletin.” Accessed March 30, 2026. https://www.loc.gov/loc/lcib/9510/unclesam.html.

Flagg, James Montgomery. I Want You for U.S. Army: Nearest Recruiting Station. January 1, 1917. Graphic. Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print, POS - US .F63, no. 9 (C size) [P&P] POS - US .F63, no. 9a another copy [P&P] POS - US .F63, no. 9b another copy. https://www.loc.gov/resource/ppmsca.50554/.

How WWII Propaganda Created the First Defense Brand Narratives - BB Director. A&D Branding. September 17, 2025. https://bbdirector.com/brand-id-and-development/wwii-propaganda-defense-branding/.

“I WANT THIS JOB: A COLD, CALCULATED BID FOR LIFELONG BLISS – Chicago Tribune.” Accessed March 30, 2026. https://www.chicagotribune.com/1994/06/23/i-want-this-job-a-cold-calculated-bid-for-lifelong-bliss/.

Instagram. “La Casita Used Cars on Instagram: ‘💰🚗 Not Planning to Purchase from Us? That’s Okay! We’ll Still Buy Your Car! Receive a 10-Minute Appraisal and Get the Best Possible Price. Find Your Closest Casa Dealership or Discover More Here: Https://Www.Lacasitausedcars.Com/El-Paso-Tx-Sell-Your-Car #BestPriceOffered #NoStringsAttached #LaCasitaUsedCars #GetApprovedToday #LaCasitaGetsYouApproved.’” August 17, 2024. https://www.instagram.com/lacasitausedcars/p/C-xZzoet2PE/.

Office, U. S. Government Accountability. “DOD Advertising: Better Coordination, Performance Measurement, and Oversight Needed to Help Meet Recruitment Goals | U.S. GAO.” Accessed March 31, 2026. https://www.gao.gov/products/gao-16-396.

Office, U. S. Government Accountability. “Uncle Sam Wants YOU! DOD Advertising in the Online Age | U.S. GAO.” Accessed March 30, 2026. https://www.gao.gov/blog/2016/09/20/uncle-sam-wants-you-dod-advertising-in-the-online-age.

Office for Emergency Management. War Production Board. (01/1942 - 11/03/1945). We Can Do It! Records of the War Production Board. 1942–1943. 179-WP-1563. National Archives at College Park - Still Pictures. https://catalog.archives.gov/id/535413.

Office for Emergency Management. War Production Board. (01/1942 - 11/03/1945). Uncle Sam Wants Your Ideas! Keep ’Em Firing. Records of the War Production Board. 1942–1943. 179-WP-395. National Archives at College Park - Still Pictures. https://catalog.archives.gov/id/534244.

“Uncle Sam: The Man and the Meme.” September 13, 2013. https://americanhistory.si.edu/explore/stories/uncle-sam-man-and-meme.

U.S. Forest Service Smokey Bear Collection. “Only You.” 1989. https://www.nal.usda.gov/exhibits/speccoll/items/show/459.


“6 Effective Elements of Vintage Advertising (That Still Work).” Invaluable, February 5, 2019. https://www.invaluable.com/blog/elements-of-vintage-advertising/.
















Tuesday, April 14, 2026

I Want You

 I Want You… to learn a little more about James Montgomery Flagg’s iconic 1917 poster. The image you see here is a digitalized image provided by the library of congress https://www.loc.gov/resource/ppmsca.50554/ The library of congress page provides a lot of reliable information about this piece of work but it does not tell us everything or much about the artist.

Flagg, James Montgomery. I Want You for U.S. Army: Nearest Recruiting Station. 1 Jan. 1917

James Montgomery Flagg (1877 - 1960) began his career at the young age of 12 selling his work to publications. At the age of 15 he started work as an artist for Leslie-Judge publications. The original iteration of this iconic work was first published as the July 6 1916 cover for Leslie’s Weekly. The original wording under the picture read “What Are You Doing For Preparedness?"

On April 6 2017 America officially entered World War I days later on April 13 Woodrow Wilson established the Committee on Public information chaired by George Creel. This committee engaged in creating and spreading American propaganda supporting the war. The committee had a number of divisions, one of which was the Committee of Pictorial Publicity (COPP) which Flagg joined in 1917. 

After joining COPP Flagg recreated his Leslie’s Weekly cover and turned it into a recruiting poster for the U.S. government. The wording under the picture was changed to the now famous “I Want You For U.S. Army” The poster was so effective that the U.S. government went on to use it again when recruiting for the second world war.

After having difficulty arranging for a model he used himself. A sort of unintentional self portrait I suppose. It might be fitting then that this is arguably his most famous work. It makes me think of other famous artists whose more famous pieces are also self portraits, Frieda Kahlo, Pablo Picasso, Van Gogh, Andy Warhol among others. Each of them communicating a little part of themselves to us for posterity. Certainly Flagg has communicated his own patriotism through this picture to many generations.

Sources:

https://www.loc.gov/resource/ppmsca.50554/

https://en.wikipedia.org/wiki/James_Montgomery_Flagg

https://www.smithsonianmag.com/history/how-woodrow-wilsons-propaganda-machine-changed-american-journalism-180963082/

https://americanillustration.org/project/james-montgomery-flagg

https://www.famouspictures.org/uncle-sam-wants-you







Monday, February 23, 2026

Fireside Chats - The Old Hotness

Franklin Delano Roosevelt, FDR, was this country’s longest serving president. He led the country during times of economic hardship and war. Perhaps his popularity and repeated re-election was due to his successful innovative policies. However just having good policy ideas isn’t enough, they must also be effectively communicated and Americans must buy into them and support them. 

So how did FDR do it? One of the not so secret secrets to his success was his outreach directly to the American people through radio broadcasting. Most notably through his famous Fireside Chats. Between 1933 - 1944 he delivered at least 27 such chats. He delivered carefully crafted speeches that spoke in an informal comfortable manner to average Americans. He explained concepts and policy to them in a way that made them feel like valued equals. (https://www.loc.gov/static/programs/national-recording-preservation-board/documents/FiresideChats.pdf)

These fireside chats and other utterances have been preserved and digitized by the Franklin D. Roosevelt Library and Museum and can be found here https://www.fdrlibrary.org/utterancesfdr. These materials are presented in a factual manner but as it is FDR’s presidential library they may well be presented in a slightly more favorable light than a library and museum not affiliated with him. His speaking style is persuasive and one of his speeches in this collection caught my attention. It is a 1932 campaign speech that I thought was a great example of an effective method of outreach where he used religion, something that was of core importance to many Americans at that time and therefore something to which many could relate, to help his position resonate. 

The speech I would like you to listen to is the one titled Detroit, MI - "The Philosophy of Social Justice through Social Action" recorded 10/02/1932. FDR encourages Americans to support policies that promote and move forward social justice issues such as unemployment insurance, healthcare and the like. He speaks against the idea of trickle down economics and staying in one place. He discusses how religion, Protestant, Catholic, and Judaism, supports this "radical" position. “Radical? Yes. And I show you just how radical it is” (minute 8:35) and proceeds to list their supporting positions. 

Today we have the Affordable Care Act that is still in place for now albeit with subsidies currently stripped making it not so “affordable”. It’s good public policy but it was a fight to get it in place. It may have had a more successful journey had there been less media - if people had given their time to just listening to a well reasoned clear explanation. There is so much shouting and rhetoric that it is difficult for the American people to have a chance to hear all of the facts. Having the space to be permitted to clearly explain a position without interruption does not always guarantee agreement or that the idea is a good one - FDR failed to convince people that the Supreme Court should be expanded and World War II internment camps were obviously wrong. I will note that today we are still having discussions regarding the composition of the Supreme Court and are currently placing immigrants into camps - these are some things that may not have been handled correctly in FDRs time and arguably need to be addressed now.


Monday, February 16, 2026

Uncle Sam From Propaganda to Pop Culture

Have you ever noticed something again for the first time? Something that you are familiar with and have seen but maybe not really “seen”? So...